Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landsca...(展开全部)

How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice? In this brillia...(展开全部)

In this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications...(展开全部)

維克多．布特羅斯(Victor Boutros) 畢業於貝勒大學、哈佛大學、牛津大學、芝加哥大學法學院。曾任美國聯邦檢察官，現任美國司法部人口販運起訴處，芝加哥大學法學院客座教授，在人權與外交事務方面亦有著作。 蓋瑞．豪根(Gary A. Haugen) 華盛頓國際公義協會主席，哈佛大學及芝加哥大學法律學院畢業。曾任美國司法部民權科檢察官，聯合國盧安達種族大屠殺調查組總監，及人權律師委員會成員。曾就國際法及人權發表不少著名及學術性作品。現任國際公義使命團（International Justice Mission）執行長，並任教於芝加哥大學法學院。 譯者 楊芩雯 政治大學新聞學系畢業，在美國紐約大學修過幾堂出版課。一直是書和雜誌的文字工，做採訪寫作、編輯和翻譯。

維克多．布特羅斯(Victor Boutros) 畢業於貝勒大學、哈佛大學、牛津大學、芝加哥大學法學院。曾任美國聯邦檢察官，現任美國司法部人口販運起訴處，芝加哥大學法學院客座教授，在人權與外交事務方面亦有著作。 蓋瑞．豪根(Gary A. Haugen) 華盛頓國際公義協會主席，哈佛大學及芝加哥大學法律學院畢業。曾任美國司法部民權科檢察官，聯合國盧安達種族大屠殺調查組總監，及人權律師委員會成員。曾就國際法及人權發表不少著名及學術性作品。現任國際公義使命團（International Justice Mission）執行長，並任教於芝加哥大學法學院。 譯者 楊芩雯 政治大學新聞學系畢業，在美國紐約大學修過幾堂出版課。一直是書和雜誌的文字工，做採訪寫作、編輯和翻譯。

Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Sc...(展开全部)

From four of the liveliest personalities on the Web comes a provocative, outrageous, and wickedly smart account of what it will take to prosper in the fast-forward world on the wire. This nationally acclaimed best seller is a spirited, original, and wonderfully irreverent conversation that will challenge, provoke, and forever change your outlook on the digital economy. A rich ...(展开全部)

From four of the liveliest personalities on the Web comes a provocative, outrageous, and wickedly smart account of what it will take to prosper in the fast-forward world on the wire. This nationally acclaimed best seller is a spirited, original, and wonderfully irreverent conversation that will challenge, provoke, and forever change your outlook on the digital economy. A rich ...(展开全部)

There should no longer be any doubt: global capitalism is fast approaching its terminal crisis. Slavoj Zizek has identified the four horsemen of this coming apocalypse: the worldwide ecological crisis; imbalances within the economic system; the biogenetic revolution; and, exploding social divisions and ruptures. But, he asks, if the end of capitalism seems to many like the end ...(展开全部)